
I'm hoping that very soon - maybe when I get home - the 2nd issue of Filament magazine will be turning up through my letterbox. The issue with cocks!
Erotic Fiction Writer of the Year 2009 - Jade magazine
I'm a writer of erotic fiction, mostly of a paranormal/fantasy bent. Welcome to my Blog! I aim to post at least every 2 days, with a weekly Eyecandy Monday. Adults only please ... you know the drill. All commenters welcome. All text copyright Janine Ashbless unless otherwise stated.

This weekend I'm indulging my inner six-year-old and going to see the Walking with Dinosaurs show. I'm very excited - I always wanted Jurassic Park to be real!
Wheeeeeeeee!


I have a lot of respect for TV chef Jamie Oliver*, who has tried to do something useful with his celebrity by publicising the outrageous conditions battery animals are kept in and trying to promote instead the eating of animals that have been farmed humanely.
This week I've written a short story inspired partly by those sort of artsy erotic pictures you find on Acesso Restrito and Chimere Erotique. You know: the black-and-white ones with skin texture.
Thank you to everyone who wished Mr Ashbless well when he lost his job. The Good News is - he's got a new one! It pays much better! It's going to involve lots of travel to exciting new places*!
Dear Friends of the Departed...
I love hair. You know that, don't you. This is not the only picture by this photographer (or indeed the only picture of this model) that I have burned my eyes out leching over.
We're not dead yet!
Today's kinky Victorian art is Saint Eulalia (painted 1885) by John William Waterhouse, possibly my favourite (late) Pre-Raphaelite. In fact I think this is the first Victorian painting I looked at all those years ago and thought, "Hey - hold on. There's something pervy going on here, isn't there?" because it's fairly clear that the corpse of the virgin martyr is intended to be an object of admiration and desire for the viewer. Great Waterhousian red hair though, and in every way a fantastic painting.